Chinque Terre: persistent vacation

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Browsing through photographs from Italy taken in the summer of 2009, I realized that photos prom Chinque Terre still make me feel as if I was standing at the cliff overlooking Vernazza only yesterday. This is surprising, because usually it takes only a few days after returning home for the “vacation mode” to give way to the daily routine.

During the first couple of days after coming back from our first trip to Europe, it became obvious that my being “off-line” for a few weeks did not result in any particular disasters neither at work nor at home. On the contrary, I felt re-calibrated in terms of my personal and research interests and priorities, so I made a resolution to maintain this “vacation” mindset in daily life. Well, it didn’t work. Instead of being simpler, life became progressively busier.

There is a joke, told to me by a colleague, which describes this situation very well. To paraphrase it: I would like to be a bus driver, because there would be no loads of undriven buses waiting for me after a vacation.

In this sense, an academic job is nothing like bus driving…

However, a glimpse of that Zen post-vacation state can evidently be triggered by a visual image. In this particular case, I was looking for a picture for a photo contest on Flickr and opened a Lightroom library with thousands of photos from our 2009 trip to Czech Republic and Italy. It is always pleasant to browse through old photographs, but the ones from Chinque Terre had a particularly strong effect. These five colorful seaside towns that cling to the cliffs are strikingly beautiful, and the whole region has a romantic atmosphere, which makes it one of the most popular tourist destinations. Visually, I had no reference point for the Liguria landscapes in my prior experience – they are truly unique and seem to be frozen in time centuries ago. Seeing these images, even on a computer screen, even several years later, instantly forced my brain to disengage from the daily “treadmill mode”. This is an example of a picture that is worth a thousand words – there is a tremendous amount and depth of information, including the underlying emotional content, that can be transmitted visually.

At the moment, we are planning a trip to Côte d’Azur, often referred to as the French Riviera, later this summer. It will be our second European trip with Anna. She is 18-months-old now, so she will not remember any of it in a conventional sense, but I wonder if looking at our photographs a few years later would stir up some memories or feelings. I am packing the photo gear just in case.

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Zip lining with a GoPro HD Hero 2

In the end of July, I went on a zip line tour in Whistler, while Svetlana and Anna took the grandparents up the mountaintop in the gondola.

I never done zip lining before, so I had to consider which photo gear to take with me. I definitely wanted to take my GoPro HERO camera, but was not sure about the bulky DSLR. Upon consulting with a lady, who worked for Ziptrek, the company offering the zip lining tours, I decided that it would be difficult, if not impossible, to take interesting shots during the actual rides, so I went with only the GoPro.

Our group of six people (a couple from Vancouver, a father with twin girls from Cobble Hill, and me) assembled in the foyer of a building in the Lower Village, filled out the forms stating that we subscribed to the impending dangers and general foolishness willingly, and went to receive our harnesses and helmets from the Ziptrek hut near the Blackcomb gondola. I requested a “GoPro helmet”, which had a plate for the camera mount. It should be noted that just the part of the mount that is attached to the helmet by the sticky tape was provided. If you plant to take advantage of it, you need to bring your own part that attaches to the camera and clips to the helmet-mounted plate.

I also brought a chest mount, as I thought that the video from the helmet mount would be too shaky. The chest mount proved to be completely useless, though, because the harness would block the entire field of view of the camera. I did try it on the first line ( the entire tour consists of several lines, each with a different length, speed,and views), after which I moved the camera to the helmet. The footage was not as shaky as I expected, so a helmet mount is definitely the way to go for shooting zip lining videos.

Another thing to consider is the battery life. The entire tour lasted about three hours, but I turned the camera off between the actual rides, so it was running for about one hour. In the end, the battery was nearly drained. I did carry a spare, fully-charged battery, and although I did not have to use it, I would have had to, if the tour had been a little longer. It is easy to underestimate how power-hungry a GoPro camera is, especially with an LCD BacPac.

The result of my zip lining adventure is this video, which I edited down to about four minutes.

Helicopter ride over Niagara Falls

20120908-000433.jpgThe Niagara Falls is one of the most photographed tourist attractions. This means that taking pictures of the Falls is very easy, but finding a somewhat unique perspective is quite challenging. On both the Canadian and the US side of The Niagara river downstream of the Horseshoe Falls are multiple viewpoints that would yield a descent photo provided that the Sun is not shining directly into the lens and that the photographer can find a break in an endless stream of tourists taking their own photos in front of the backdrop of the Falls. From the standpoint of commercial or creative photography, the problem is that this photo would be nearly identical to thousands of other images taken by the tourists from the very same viewpoint.

20120908-000320.jpgIn the Sun Tzu’s spirit of turning a challenge into an advantage, the issue of uniqueness can be side-stepped by including the tourists in the frame and making them an integral, if not the main, feature of the photo. This adds a human element and can also add quite a bit of commercial value for a travel photo, particularly if the subjects are fit and of middle-to-advanced age (apparently, this is age group is the main target segment for the publishers of travel brochures).

In this image, I liked how the girl in a rainbow-colored dress and the actual rainbow could be captured in the same frame.

Ultimately, to take a unique, or at least not a cliché, photo of an iconic sight, one needs an uncommon vantage point. In the case of the Niagara Falls, one option is to take a helicopter tour, which provides an opportunity for some aerial photography. A company called Niagara Helicopters operates from a small airfield located approximately 15 minute by taxi from the Rainbow Bridge. A 15-minute ride over the falls costs about $115, including a discount offered through a hotel’s concierge.

During the tour, I took photos, including the one at the top of this post, with a 24-105 mm lens mounted on a Canon 5D Mark II. I also strapped a GoPro camera to my head and let it run continuously throughout the ride. The result is this movie: