Shooting new subjects

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Specializing on a particular subject in photography has tremendous benefits in terms development of skills and personal branding. However, it is also important to regularly shoot new subjects. The insight from trying new things can enhance the main area of activity.

For me personally, shooting sports, which I started doing a few years ago, was a drastic departure from landscape and stock travel photography that I was doing up to that point. Skills that I acquired by shooting action enabled me to change my approach to travel photography – instead of focussing exclusively on locations, I began actively including people in the photos. In fact, this changed my view of travel itself. After all, human interactions, including visual communication through photographs, are the fundamental basis of our daily activity. Changing the environment in which these interactions occur, which is the essence of travel, add different flavour to human relationships. I believe that capturing this local flavour of the human element is key for adding emotion content to the photos.

From a purely technical standpoint, learning to compose the image quickly and to be decisive in taking the shot, which are important skills for a sports photographer, is very useful for taking portraits of children.

In my personal projects, I aim to add variety to the shots through consciously pushing my comfort limits by using new techniques (both during the shoot and in post-processing) and exploring new subjects.

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Gingerbread house

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Another first ever Christmas project for our daughter – decorating a gingerbread house together. She was very excited to help, but it was time for bed before we could finish. Licking the icing off the fingers is, of course,  a big part of the experience at this age.

My wife and I took turns taking few candid shots of the house-building process. Our daughter is becoming an experienced model. She was fully aware of the camera, but it did not bother her. In fact, she seems to enjoy being photographed these days. As far as I see in other children, this willingness to pose and relaxed attitude in front of the camera will pass with age. Until it does, I am enjoying the fascinating opportunity to look through the lens at our little girl exploring the world.

Drawing snowflakes

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For this year’s Christmas card, I used a portrait of our daughter as a background, on top of which I drew a winter motif in Photoshop. Initially, I looked for various card templates, but decided that it would be more personal (and more fun), to paint the picture by hand.

I sampled the colours from my daughter’s drawing in the photo and painted a snowy tree on a separate layer using various natural-looking brushes in my list of presets. I used a Wacom Intuos Pro Graphics Tablet, with the size and hardness of the brush linked to the pen pressure.

Then, on a separate layer, I drew the streaks made of snowflakes. To do this, I created a custom brush using a snowflake-shaped brush tip (I found a free set of simple snowflake-shaped brushes by doing a Google search) and adding the following dynamics:

  • Scattering:
    • “scatter” setting of approximately 150% with “both axes” box checked – to make each brush stroke consist of individually-visible snowflakes;
    • “count jitter” setting of about 75%.
  • Shape dynamics:
    • “size jitter” and “minimum diameter” settings of about 20%;
    • “angle jitter” of about 10% – so that the individual snowflakes would be slightly rotated within the single brushstroke.

When my daughter saw the final picture, she said that she drew it. In part she is right – I used elements of her doodles in the picture, which makes it special for me. I think about it as our first collaboration and hope that one day she would be up for drawing something together for real.

Believing in Santa Claus

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This Christmas is the first that our three-year-old daughter is consciously enjoying. The anticipation, the gifts, the sweets, the lights – it’s all very real and exciting to her. However, I don’t think she believes in Santa Claus in the sense that it is a man who lands on the roof and leaves the presents. On Christmas day, we had a party with friends, were one of the friends in the Santa costume came in and gave gifts to the children. Our daughter usually shies away from Santa, but this time, she enjoyed the gifts so much that she ran over to give him a hug. I am sure she knew that it was a man in Santa’s costume, though.

What to tell kids about Santa Claus is not as clear-cut question. There is a fine line between magic of the season that can only be experienced in childhood and deliberate deception that can plant a seed of mistrust to the parents. I recently read a review of an out-of-print book by Margaret Mead, and anthropologist, who addressed this question more that fifty years ago. I am glad that my daughter is not attached to the idea of the “real” Santa Claus, but is really enjoying him as an element of the Holiday.

In terms of photography at the Christmas party, as planned, I took a group photo with the camera on a tripod and a self-timer and some candid shots of the kids using natural light and fast prime lenses (Canon EF 35mm f/1.4L USM and Canon EF 85mm f1.2L II USM) on a Canon EOS-1D X. Here is the most important adjustment that I had to make in order to achieve sharp focus since I started using these lenses, which produce ultra-shallow depth of field: it is not possible to pre-focus by half-pressing the shutter button and then re-composing the frame – the resulting slight change in the tilt of the camera results in an out-of-focus image. Instead, I place an autofocus point directly on the subject’s eye (the one closets to the camera, to be exact), take a shot and then adjust composition in post-processing by cropping.

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Gift wrapping: delaying gratification

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Pamela Druckerman writes in her parenting book “Bringing Up Bébé” that delaying gratification is an important skill for children to learn. As any skill, it requires practice, and the initial attempts are not always successful.

Today, our three-year-old daughter helped us wrap Christmas presents for the first time in her life. Convincing her to stick to wrapping and not to start opening her own gifts was not easy, but she managed to wait until tomorrow and went to bed late at night, full of anticipation. It is fascinating to see her growing up everyday. I wonder which of her experiences will end up being formative for her later in life.

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Christmas photos: family and friends

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Here is my plan for taking pictures when we get together with our friends’ family this Christmas. I am going to keep photography somewhat low profile, without making a photo shoot instead of the dinner, although I received a specific request to bring the camera (which I take as a compliment).

The friends’ house has a lot of natural light, so I am going to shoot mostly without flash, using fast prime lenses (Canon EF 35mm f/1.4L USM and Canon EF 85mm f1.2L II USM) on my Canon EOS-1D X.

One thing that I want to take a bit more formally is a group photo. We’ll use it as an excuse to extract everybody from the table at some point. I am going to email the group picture to the friends the same day – instant gratification and ability to share it over social media is more important in situations like this than even qualify of the photo itself. This photo would also be a preview of more pictures to come over the next couple of days, when I have a chance to process them.

Besides the group photo, I am going to take some candid shots of the kids and perhaps a couple portraits of adults. I like to keep the camera handy during the party, but not spend all the time clicking away. Instead, I will do a couple of brief shooting “sessions”, when others have relaxed and are absorbed by conversation, games (in case of children), or whatever else they might be doing.

From experience, I know that the shallow depth of field of the f/1.2 lens will add an artistic quality to the portraits and will make them look less like snapshots.

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On motivation

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“The great doesn’t happen through impulse alone, and is a succession of little things that are brought together.”
Vincent van Gogh.

Athletes know that motivation is easy to achieve, but difficult to sustain. This is true for any activity, which requires overcoming obstacles through practice. In particular, continuing motivation is essential for an artist. For me, van Gogh exemplifies this most of all. His life has been extensively studied and documented, but he himself also wrote about this in detail in his letters to his brother Theo. In fact, the letters are the primary reference for many studies of his life.

My wife and I are making travel plans for the next summer, and I am excited that one of the stops will be Amsterdam. Although my primary reason for going there is a conference on marine engineering, I am really looking forward to going once again to the van Gogh museum. There is something special about seeing the brushstrokes, about which so much has been written and debated over the years. This is my motivation to think about colors in my photography. Also, I find it fascinating how the cycle of mutual influence between Japanese and European art was completed by van Gogh, who applied his distinct technique to re-create the works of ukio-e masters, who themselves were influenced by Western painters.

This is how easy it is to achieve motivation. Check. Now, to the hard part – to carry this initial inspiration through and transform it into some meaningful images from the upcoming trip.

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Would Roman stoics take selfies?

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I am truly amazed how much a two-thoudsand-year-old text by Seneca called “On the Shortness of Life” resonates with the modern challenges of work-life balance. On one hand, it is comforting to know that we are not the first to come across these issues, but on the other hand, the fact that two millennia later we are still searching for a solution tells us that, most likely, there is no magic formula that works universally for everyone.

One interesting point that Seneca makes is about people’s relationship with the past. Basically, the past, unlike the present and the future, is “beyond the reach of all human mishaps, and removed from the dominion of Fortune”. He writes that it is true luxury to be able to “roam” into the past days of one’s life and access all of them at will. I think that there is an interesting implication about photography in this concept.

More photos here: http://ow.ly/BabJT

The process of taking a photograph, as everything in our lives, happens in the present, but the resulting image is a record of the past. If the image is “doctored”, it has a potential to change the reality of the past event for the viewer. However, regardless of whether a photo is a faithful depiction of reality or not, for me personally, looking through my own photos that were taken several years ago is what makes the “roaming” into the past vivid and enjoyable. The photos are much more than memory aids. They reflect what interested and bothered me at the time they were taken, my skill level as a photographer,  my level of patience and mental flexibility in going after the shot that I wanted to take.

The tough challenge, of course, is precisely what Seneca wrote about – not to lose all this insight into the past by being so “engrossed”, as he calls it, in trivial matters of the day, as not even being able to find time, mood or reason to slow down and look back. At this point, I have tens of thousands of photos that my wife and I took over the last ten years. I think that reviewingt them regularly, perhaps, just a few images at a time, would be at least as useful as shooting new projects.

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Christmas lights: unplugging from routine

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Breaking away from the daily working routine at the beginning of the holiday season has not been easy. For me, it requires a conscious effort to stop checking and responding to emails that keep appearing in my inbox. Still, both my wife and I are doing our best to unplug after a marathon of dealing with academic matters at the end of the term.

Today, we spent the entire day in the downtown with our friends, looking at Christmas trees at the Empress Hotel, having a leisurely lunch and walking along the inner harbour under rain. Breaking the routine takes me out of a comfort zone, but I know that this is necessary for avoiding burnout. For example, it is the lack of everyday comforts that makes travelling so effective in making us experience the World in a new light. The same effect can be obtained by simply walking in our home town, without any particular goal, looking at the place with the eyes of a tourist.

The term flâneur, which emerged in Paris at the end of the 19th century as a reference to urban exploring through strolling and observing the city life, is based on the same principle. Modern street photography is the extension of this urban observing. Having no particular goal for the stroll and the photo shoot enables one to be present and responsive to the experience of the city life. This exploration mode is similar, in some respect, to the “beginner’s mind”, a state that is tremendously conductive to personal development in zen buddhism and Eastern martial arts, such as kendo.

I think that being in the company of two three-year-olds, who exemplify the beginner’s mind by definition, is particularly amazing. Naturally, my photos today were mostly of them – enjoying Christmas lights and colourful window displays of the local shops.

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Overcoming self-imposed challenges

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“…difficulties of every sort [are] to be welcomed by those seeking fulfillment.”

Alain de Botton, “The Consolations of Philosophy”

I think that having ideal conditions for a photo shoot (models, location, equipment, time, etc.) can sometimes be counter-productive to creativity and developing photographic skills. Just as artists consciously limit their palette, it is stimulating for a photographer to work within constraints imposed by the available equipment, setting or lighting conditions.

For example, during my travels, I often don’t carry all my lenses, so when a photogenic moment presents itself, I might not have the “ideal” tool. Likewise, I often see the most interesting scenes in less-than-ideal lighting conditions. These situations force me to be creative, experiment with new angles, be less result-conscious and let go of micro-managing the shoot. This mental freedom from the fear of not producing the best possible image is essential for being present and not overly concentrated on my own preconceived ideas of how things should or should not happen.

When I practice kendo, I often choose to use only a limited set of techniques (waza) against a particular opponent in order to either work on my weak point or further develop my personal best technique (tokui waza). I use exactly the same approach when I photograph basketball or other sport. I often use a lens that is difficult to master in terms of achieving a perfect focus and framing, such as Canon EF 85mm f1.2L II USM Lens, which has an incredibly shallow depth of field and a fixed focal length. Having worked through these challenges makes the resulting even more meaningful.

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