On creativity

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Recently, I listened to a very inspiring interview with a film director (as well as a writer, producer, editor, composer, etc.) Robert Rodriguez, who shared some neat ideas about creativity, which, according to him, can be found in every human activity. More precisely, we can bring creativity into everything that we do.

This is a neat way of looking at the dilemma of striving to be a polymath versus being a narrow specialist. Rodriguez says that when people ask him why he does so many different things, he replies that he does only one thing – leaving a creative life.

In practical terms, he suggests doing things in short bursts, over periods of half-an-hour of so at a time. In my experience, this approach generally works, although there are some activities (e.g. academic research) that requires larger chunks of uninterrupted time. In fact, working in brief, regular sessions, so called BRSs, can be shown to be the best approach to academic work too. As Rodrigues puts it, you just need to chip away at various personal projects, whether it is learning to play a guitar or painting between filming scenes of a movie, on the daily basis, and by the end of the week, if look back, you’ll see that you are leaving your dream.

A key moment here is not to be afraid to try new things. This requires one to believe in oneself, in the sense that mastery of almost any kind of skill or activity at a very high (indeed, world-class) level is possible, given sufficient time and effort. Rodrigues gives an example (which might not be true, BTW – I don’t think there was a formal study on this) that when very young children are asked, who among them thinks that he/she could be an astronaut, a composer, etc., there is a forest of raised hands, probably due to the lack of life experience on part of the kids. When the same question is asked of the same kids a couple of years later, much fewer hands are raised – there is no significant increase in expense, but somehow the children lose their belief in themselves. As adults, we have an advantage of being aware of what is happening with us, so we should consciously keep raising our hand.

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Action shots with an iPhone

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Taking action shots is challenging with any camera, because there are several elements of the shot that have to be done correctly at the same time: focus, exposure and composition/framing. Fast moving subjects present challenges in all three aspects, and they are particularly difficult to manage with a phone camera.

I really like my iPhone 6+ camera. It certainly cannot do everything that my 1D X with a fast lens can do, but when the conditions (mostly, lighting) are right, it really shines. You just need to pick your battles wisely if the iPhone camera is your weapon…

Today, we were flying a kite with our four-year-old daughter on a very bright and windy afternoon. The light was harsh, but the contrast and saturation were excellent, which I find always works well for an action shot. My wife took a few photos of my daughter and me with the kite and the dramatic clouds in the background. I think there are two key factors that make these photos work: good composition (taking many shots really helps – one needs to expect many of them to be throw-aways); very bright lighting (it helps with sharpness, saturation and contrast).

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On reading

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“To read with diligence; not to rest satisfied with light and superficial knowledge,..”
– Marcus Aurelius Antoninus, “Meditations

It is commonly argued that in reading, as in any kind of studying and almost any kind of activity, the Pareto principle dictates that 80% of the results (e.g. knowledge) can be obtained during the first 20% of the time (or 20% of the total possible effort) spent on the activity. After the initial 20%, the returns are progressively diminished, so that larger amounts of time spent reading provide only incremental increase in knowledge.

While tis is probably true, I believe, or at least would like to believe, that striving for deep, fundamental knowledge is what separates true experts from lay people. Of course, the question of whether it is wise to focus on obtaining expertise in a narrow field (i.e. “niching down” in photography) remains open. However, if this niche is learning itself, and the skill that we are mastering is our ability to learn new skills, the rules start to change. Learning, according to Naval Ravikant, among others, is a wild card, a joker, in a sense that learning can be traded for any skill that is needed at any given point in life. From this perspective, it is easy to agree with Stoics, who taught that “Of all men they alone are at leisure who take time for philosophy, they alone really live;..” (Seneca, “On the Shortness of Life”).

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Journalling

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Journalling has many benefits, as has been pointed out many times by various illustrious writers. Blogging, which is very different from journalling in that it is a public expression of thought, while journalling is private, is also very useful. It provides an opportunity to practice formulating and publicly expressing an opinion with the full understanding that this opinion will be permanently recorded somewhere in the proverbial cloud.

Another way of journalling, which is somewhere in between between private journalling and public blogging, is keeping a diary as a record-keeping activity. Today, I heard an interview of Robert Rodriguez, who made a strong case for this habit. Having a daily record of the significant events of every day makes a powerful tool for parenting, personal development, work, etc.

I think that taking family photos on a regular basis (ideally daily) serves the same purpose. In my personal case, I find that having a large, easily-accessible database of images that commemorate the significant events in our family’s life is very valuable. Looking through these photos with my four-year-old daughter (I have the images from my Flickr photo stream scroll as a screensaver on the TV in our living room) shows that I tent to over-estimate both my daughter’s and my own memory span an ability to recall small details and events that seemed significant at the time they were happening, but vanished from our minds just a few weeks (not to mention, months and years) later.

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Fear of missing out

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Compulsion to take on a project simply out of fear of falling out of the loop on the related news, trends, etc. is so common that this “fear of missing out” has its own abbreviation (FOMO). I think this is particularly relevant to photography.

While staying current in one’s niche and continually honing one’s skills is fundamentally important, there are definite advantages of breaking everyday patterns from time to time. For example, Kevin Kelly argues that travelling forces one to break the routine and keeps the mind agile. Likewise, Tara Brach, who recently discussed FOMO in her interview with Tim Ferriss, pointed out that taking sabbaticals helps us identify habits that are normally keeping us from being attuned to the constantly changing reality.

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Sweet tooth

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Physical conditioning, and endurance in particular, is important for photographers. Recently, I came across an interesting discussion of the role of hydration plays in endurance. Basically, it is important to be hydrated, and more specifically, to have sufficient amount of electrolytes in the body, to avoid muscle cramps and exhaustion during physical exercise.

Having a sweet tooth may actually be beneficial from the hydration standpoint, because carbohydrates help retain water in the body. Not related to sugar per se, but I had been given advise by a kendo sempai while practicing in Kanazawa in the heat of a Japanese summer to eat more rice, bread, etc. to avoid dehydration during practice.

So, people who fight cravings for sweets by eliminating sugars from, may find themselves at the risk of dehydration. One counter-intuitive way of battling this effect is to increase the intake of salts. Which one of the two evils is the lesser one, is the question that remains open…

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On humility

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In education and philosophy, “intellectual humility” is a quality that allows people to stop self-promoting their intellectual efforts and instead let their results (acquired knowledge, skills, etc.) speak for themselves. Perhaps, this concept could be expanded to any kind of effort, not necessarily an intellectual one, to help define humility in general.

For example, in art, and in particular, in photography one does not need to brag about the cost of equipment or the number of hours spent mastering the craft. Instead, we can just let the pictures stand on their own. With images, this should be particularly easy to do, since their transcend languages, cultures, and even time, because people are genetically programmed to heavily depend on visual input for much of the incoming information and emotional content.
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Rats!

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Showing motion is a great way to add interest to any photo, and I particularly like when it is skillfully done in pet photography – dogs in mid-jump, for example. That is why our friends asked us to take care of a couple of pet rats when the owners were away, I thought it would be interesting to try capturing these little creatures in motion.

It turns out that rats move too much. They are extremely fast and unpredictable in their movements, and even if I could sometimes frame the photo, using a flash to stop the motion was not an option – it turns out that the rats are sensitive to all sorts of things.

Since motion was elusive, I resorted to trying to show the second best (or, arguably, the best) thing – emotion. In this case, the delight of my daughter at being able to play with the furry little creatures.

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Lens for landscape photography: wide-angle or telephoto?

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For me personally, a telephoto lens is easier to use for landscapes, because I like the perspective-compression effected also because I am used to picking out mini-compositions that I can crop out from the overall scenery by zooming in on them. I developed this skill because my first pro-level lens was Canon’s 70-200mm f/2.8L IS, which was far superior in quality to any other lens I had. Because of that, and despite its relatively large size and weight, I used to carry it around all the time. As a side note, I still think that it is, perhaps, the most versatile lens in Canon’s lineup.

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Wide-angle lenses, in the right hands, can produce spectacular landscapes, but I find it more challenging to recognize a potentially striking photo. To practice this skill, I decided to put a 16-35mm f/2.8L on my camera for the first half of today’s hike in the East Sook park. I also wanted to practice taking photos of trees, which I find to be a very difficult subject. By the way, I find the following rule of thumb helpful when evaluating “interestingness” of a potential landscape: all other elements being equal, showing inclement weather, cliffs or mountains, shore lines and people makes the picture more interesting.

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Taking notes

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It is well-known that taking notes while talking to someone is signalling to that person that you are paying attention to the conversation. However, the manner in which the notes are taken is important. Typing on a computer may seem intimidating or create an impression of distance between the conversation partners. On the other hand, writing in a notebook generally perceived very positively.

I often take pictures as a form of note-taking, particularly in museums or during tours of laboratories, etc. Perhaps, in these settings, the impression that I leave during the process of taking notes is less important, but in the spirit of being aware of what one looks like from the outside, it is good to be at least conscious about it. The note-taking process has other important aspects that not only streamlines the workflow, but also makes notes themselves more useful.

Phil Libin, the former CEO of Evernote, points out that it is crucial to process and catalogue the notes immediately after they have been taken, and to do it in the same geographical context. He is referring to the ability of various note-taking apps, Evernote in particular, to geo- and context-tag the notes, but I think this concept of processing and cataloguing the information soon after it has been acquired also applies to photography in general.

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