Newgrange: Neolithic mystery

After leaving the center of Dublin in a rented car, we followed the excellent directions given at the car rental office (but keeping our trusty Garmin GPS turned on) to the M1 motorway, which took us almost all the way to Newgrange.

 

One of the most prominent passage graves in Europe, the Newgrange is a major Irish attraction and a must-see sight for the visitors to Dublin. We parked the car at the visitor center, where we enjoyed an exhibit of the excavated artifacts, a short film, and a lunch, while waiting for a bus to take us to the site of the passage grave site itself. The tourists are taken to the site in groups of approximately twenty people, with the interval of 1.5 hours between the groups.

 

The Newgrange tomb (built around 3200 BC) is very spectacular due to its sheer size. The passage grave is protected by the mound, or cairn, made of 200, 000 tones of loose stones. The massive structure is particularly impressive in view of the fact that its engineers and builders used neither the wheel nor metal tools.

While the exact purpose and meaning of the structure itself and that of the various spiral patterns carved into its walls remains a mystery, it is likely that the people who built Newgrange worshiped the Sun. The cairn is constructed in such a way that at dawn on 21 December, the day of the winter solstice, a beam of sunlight penetrates the roof box and travels along the 19-meter passage to the chamber.

 

When our tourist group arrived at the site, we had to wait outside the burial chamber for the previous group to finish their tour. The rain started pouring, and we had no place to escape it – there is absolutely no shelter at the site.

 

Finally, it was our turn to enter the chamber. We were told to carry our backpacks in front of us at the knee-level to avoid scratching the precious stone walls in the passage. The passage was indeed very narrow. The leather jacket that I was wearing was not very bulky, but still I could barely squeeze through in some places, even while turning my body sideways while crouching down. This is definitely not a site for people suffering from claustrophobia.

 

Inside, the main feature is the ceiling of the chamber, which is constructed of overlapping slabs of stone. It reaches the height of 6 meters above the floor. Photography is strictly prohibited inside the tomb.

 

When we emerged from the passage, the weather had magically improved, providing an opportunity to take a few photos of the exterior of the cairn and the picturesque Boyne valley.

 

Please follow the link to see our pictures of Newgrange.

 

Keyword: Newgrange.

 

St. Patrick’s Cathedral: Ireland’s largest church

The cathedral, located close to the center of Dublin, was founded beside a well, where St. Patrick is said to have baptized converted Celts (around AD 450). The exterior (1254 -1270), with the Minot’s Tower and the spire (1700s), is very impressive both from the street and from the adjacent park.

 The interior contains numerous monuments. One of the famous people remembered there is Jonathan Swift, who was educated at Trinity College and later became the Dean of the St. Patrick’s Cathedral.

 Photography, including the use of a flash and/or a tripod is allowed inside the Cathedral. A flash is of little use, as it destroys the atmospheric lighting. A tripod, however, is extremely useful. It allows taking multiple images with different exposures, which can be later combined using a computer to produce a high-dynamic-range (HDR) image.

 Please follow the link to see our photos of the Cathedral.

Dublin: Temple Bar a night

The lively Temple Bar district is very photogenic at night. Using a tripod and long exposures allows capturing the decorated exteriors of the pubs (the main feature of the district) while blurring the motion of the crowds, which adds atmosphere to the images. Experimenting with shutter speed is also interesting, as it results in various degrees of motion blur, sometimes producing surprising effects.

On a winter Irish night, photography is fun only until the photographer’s fingers start losing sensitivity in the cold. Fortunately, the best place to regain warmth is inside a pub, and there is no shortage of those in Temple Bar (or in Dublin in general, for that matter).

Follow the link to view my photos of Temple Bar.

Please leave a comment if you know of other photogenic pubs in Dublin.

Malahide Castle: a day trip from Dublin

Easy access by train from Dublin center makes Malahide Castle a perfect destination for a day trip. After a 20-minuter ride on a DART train from Pearce station, I was walking through an expansive park towards the castle.

 The castle itself is visible only from one side – the front façade. From all other sides it is obscured by trees. During my visit, most of the façade was covered by unsightly scaffolding – a common feature of European historical sights. I managed to take a couple of photographs of the fragments of the castle with a 70-200 mm lens. The architectural details are quite interesting, and are best photographed in a diffused light provided by overcast sky. When the sun briefly appeared from the clouds, the mood of the scene changed, and I used the moment to take a few shots of the roofline of the castle.

 The guided tour of the castle features an excellent collection of furniture. Overall, the interior offers an interesting glimpse into the lifestyle of several generations of the Talbots. Particularly impressive is the dining hall, where 14 members of the family had breakfast on the morning of the Battle of the Boyne, which took place only a few kilometers from Malahide in 1690. All of them died in the Boyne Valley on that day. The walls of the dining room are covered with portraits of the prominent Talbots as well as a great painting depicting the Battle of the Boyne – a pivotal point in Irish history.

 Follow the link to view my photos of Malahide.

Dublin: walk around Trinity College

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Visit gallery for my first impressions of Thrinity and surroundings. As always, it is a good idea to have a camera ready at all times, as photo opportuities quickly come and go due to the ever-changing light. It appears that, as far as the lighting conditions, Irish winter brings intermittent period of high-contrast sunlight (watch out for sharp shadows on building facades!) and diffused light from the overcast sky. This intermittency of light quality dictates the choice of composition — the overcast sky looks washed-out, and often has to be excluded from the frame. On the oter hand, the diffused light is good for showing architectural details.
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