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This is the ink of the last panel on page 2. It’s the first time all four characters appear in the same frame. I thought it would be a good time to use a kind of “the knights of the round table” perspective to show them as a group.
My thoughts on the craft, the process and the subjects
This is the ink of the last panel on page 2. It’s the first time all four characters appear in the same frame. I thought it would be a good time to use a kind of “the knights of the round table” perspective to show them as a group.
These are the rest of the supporting characters in my short fluids-related crime story. I enjoyed developing them and making concept drawings early on. However, simplifying those for this inking stage, so that the characters would hopefully be recognizable and easy enough to draw multiple times from various angles was not trivial. In fact, I had to come back to these panels and tweak them quite a bit as I progressed further into the book.
Here is the ink of the first panel on the second page of my fluids comic book. The second page was easier to conceptualize than the first one, since it was a straightforward introduction of the supporting characters. Among them, I had a clearest vision of this one, Trevis, and as a consequence, he changed the least from the initial character design stage.
This is the ink of the last two panels on the first page of my fluids comic book. The first closeup of one of the main characters required quite a bit of thinking through in order to simplify the original character design. Professionals like Victoria Ying say that by the end of the inking process one becomes very good at drawing the main characters, because they appear so often. I am certainly looking forward to that, but in the meantime, I was quite glad to simply finish the first page.
Here is the ink of the third panel of my fluids comic book. When I was laying out this panel, I made a decision to use a 3D model for the backgrounds, and now that I am several pages into inking, I am certainly glad that I did so. Considering that the story takes place in the same room full of small details, maintaining consistency of the set without the ability to simply re-position the camera would have been impossible.
I’ve been working on a fictional short story, hopefully the first in a series, on the subject of my academic research and teaching – fluid mechanics. As a colleague of mine said about teaching fluids at the university level, “fluids is a dry subject”. In the hope of making it a bit more entertaining, I’decided to try a manga format. It’s a crime story set in the not-very-distant future with the working title “The Flowing Clue: La Source Unveiled”
Here are the inks of the first two panels. Stay tuned for the updates on this work in progress.