Trusting the technique

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In kendo and other Japanese martial arts, the concept of technique (waza) is important beyond being a mere skill for overcoming the opponent. In practicing budo, the martial way, there is a notion of faith in the technique. That is, we can concentrate on perfecting the skill instead of focussing on the end result.

I believe this concept translates to other disciplines. It is certainly applicable in visual arts. In fact, the final image (a photograph, a painting, etc.) is often different from what I had imagined before starting working on it. To me, this is one of the most appealing features of the creative process.

In scientific research also, we don’t know the end result (this is the nature of research), but we trust that the process developed by the generations of earlier researchers, combined with our own experience and skills, would lead to a productive outcome (i.e. improved understanding of the physical phenomenon.)

The issue of valuing productivity over presence, which many authors and philosophers discussed over the years, is also related to the lack of trust in the established system, the process of developing one’s skills. This leads to the current popularity of “life hacks“, looking for shortcuts to overcome inertia and inefficiency of the conventional ways of doing things. Eastern martial arts are in the unique position in this respect. Their systems of training, which are deeply rooted in philosophy, have been polished over many generations of practitioners. Knowing that countless numbers of them paid the huge price (sometimes, their lives) for evolving the system to the current level, makes trusting the process easier.

http://ow.ly/DItik

Swimming

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Two days of covering a national swimming championship made for a very long photography weekend. Even though it was one of high-volume photoshoots, which I typically enjoy less than more relaxed personal projects, I was able to experiment with various types of shots and settings.

What I did not have a chance to try, due to the pressure to deliver images for press releases, is shooting with super slow shutter speeds to produce motion blur. Typically, I try to freeze the motion, which pretty much guarantees some interesting shots, since the spectators cannon see this level of detail in the swimmers’ facial expressions with the naked eye (or even with telephoto lenses) from the stands. A shutter speed as slow as 1/500 sec can freeze the motion of the swimmers, but capturing the sharp images of the water droplets requires am minimum of 1/800 sec (with a 300mm f/2.8L IS USM lens.) Capturing the start of the race, when the athletes jump into the pool, requires even shorter exposure times (as short as 1/1600 sec with a 70-200mm f/2.8L IS USM lens at 70 mm.)

Another variation from my typical camera presets was in the autofocus tracking settings on my Canon EOS-1D X. Instead of the “soccer mode”, I  experimented with the “tennis mode”, which ignores the objects that appear between the lens and the subject during tracking. This mode helped with keeping the focus on the athletes’ faces behind the splashes, which tend to confuse the autofocus.

More photos here: http://ow.ly/JmLqn

Ultimate

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Today I had a chance to shoot a new sport for the first time – a game of ultimate (frisbee) between our university and UBC. The weather was beautiful, although the light was contrasty. At the beginning, there was an adjustment period, when I was figuring out the rhythm of the game and identifying the typical action patterns. It made me appreciate the value of knowing the game and the individual players – something that nowadays I take for granted when shooting our university’s basketball and soccer games.

Frisbee action is very photogenic, with many jumps and fast running. I was also pleasantly surprised by the friendly atmosphere of both the men’s and the women’s matches. I have not seen this level of positivity towards the opposing teams in any other sport.

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Focus and exposure

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In my experience, apparent sharpness of a photograph depends not only on the quality of the lens and precise focussing, but also on correct exposure. This issue came up recently in an email exchange with a photographer friend, who shot the same kendo tournament as I did, using an identical camera (Canon EOS-1D X.) We captured some images that were nearly identical, but noticed that the sharpness appeared to be different, depending on the exposure level. The darker, under-exposed image looked softer than the one that was exposed correctly.

There are several factors that contribute to apparent sharpness. Of course, obtaining correct focus is of primary importance. Camera shake and motion blur (due to slow stutter speed) also result in loss of detail. If the image is under-exposed, the details are lost because of the low contrast, not because of the missed focus.

When photographing indoor sports, achieving correct exposure while maintaining fast stutter speeds that are necessary for freezing the motion requires a combination of “fast” lenses (ones with large maximum apertures) and high ISO settings. The drawback of using high ISO is that it increases noise in the photo, which also leads to loss of detail. However, I generally find that noisy, but correctly exposed, images look sharper than under-exposed ones even if the actual amount of detail is the same.

It should be noted that both the exposure and noise can be corrected n post-processing, to some degree. Having this ability to adjust images post-factum is the main argument for shooting in RAW format. Having said this, I find myself shooting JPEGs more and more often, particularly if the lighting conditions do not change (which is true in the case of indoor sports), and I am confident that I can obtain a “good enough” exposure during shooting (checking the histogram on the LCD screen periodically throughout the shoot is still a good idea).

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On hacking

Ukai

Recently, I have come across many discussion of hacking a certain process or system – achieving significant results in unconventional, often more efficient, ways. One of the observations about the hacker mentality that I particularly like is that “innovation” means not accepting the current norm. I like it because it seems that in the academic community, the term innovation is currently over-used, often without a clear idea of what it actually means.

The hacker approaches to problems, such as learning new skills, are often based on the Pareto principle, often referred to the 80/20 rule, which has been discussed by many authors (e.g. Tim Ferriss in his hugely popular “The 4-Hour Workweek“). The idea is that 20% of work produces 80% of the results, so in principle, one can become fairly proficient, or al least well above average, in a certain activity (e.g. speaking a foreign language, painting, taking photos, playing a musical instrument, etc.) in a relatively short amount of time.

The idea of hacking the life-long learning is appealing, but I cannot help but think that something is missing if the “hacker mentality” is taken at face value. I just saw a documentary about top sushi chefs in Japan called “Jiro Dreams of Sushi,” and I think there is no shortcut to the level of excellence comparable to that, which requires an apprentice chef to work on less important tasks for ten years before he is allowed to cook rice. It seems that the 99-th percentile is infinitely far from the Pareto’s 80-th, and the price for this part of the journey is very high, but perhaps, you do get what you pay for.

Craft

Flow

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Consistency and routine are important for developing various skills, from photography to martial arts to research and teaching. However, I think that without some sense of excitement and the resulting enthusiasm, consistency alone is not effective. In fact, what is ultimately effective and satisfying is the state of “flow”, when self-censoring mode of thinking is turned off and we can “get out of our own way”, so to speak. This condition has a lot in common with the elusive state of “no mind” (mushin) that martial artists are striving to attain.

I have recently came across a reference to a book by Steven Kotler called “The Rise of Superman,” which discusses the role of flow states in human performance. It is interesting that the sense of excitement is an important component of flow. When we do something that we like, something that we closely relate to, we feel as if we are doing the activity (taking photos, painting a picture, training in kendo, reading a research paper, teaching a class, etc.) for the first time. When this feeling is combined with the expertise developed through years of consistent practice, the resulting confidence allows us to trust the flow and to stop continuously cheating and editing our actions – to step out of our own way.

To me personally, the flow states are just glimpses of what is ultimately possible – they are not easy to either achieve or sustain. However, these moments are precious and powerful enough to help me maintain motivation and consistency in what I do.

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Rhythm in calligraphy and kendo

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Timing is an important aspect in Japanese calligraphy (shodo) and martial arts such as kendo. In the latter case, it is, perhaps, not surprising. In calligraphy also, I found that timing of individual brushstrokes is so important that learning the technique from the books, without a teacher, is nearly impossible.

An interesting similarity between calligraphy and kendo is that it is not the rhythm itself, but its variation that elevates the quality of technique. In kendo, varying the timing, breaking up the pattern of attacks and counter-attacks, adds the element of surprise for the opponent and makes the techniques less predictable. In calligraphy, varying the speed of the brushwork adds character to the writing, emphasizes individual characters (kanji) or certain elements of the characters and ultimately gives “interestingness” to the resulting image.

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Social network

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I wrote earlier that for me personally, one of the biggest benefits of practicing martial arts has been the instant camaraderie and the long-lasting friendships built doing it. I find that photography is somewhat similar in that respect. Perhaps, people naturally tend to build social networks around their activities, particularly if there is a true interest or passion in those activities.

Granted, connections with other photographers is typically not as instantaneous as with fellow kendoka or motorcycle riders. When the two hobbies/pursuits intersect, however, the common field of mutual interests becomes so vast that interacting with other photographers sometimes is often the most interesting aspect of a particular photoshoot.

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Contre-jour

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Shooting with the lens pointed into the light source (contre-jour), which produces backlighting of the subject is very effective when the light source is the bright sun. Contre-jour is an alternative to front lighting, which can be extremely contrasty (image above).

Today, during and afternoon soccer game, the bright sun produced a huge dynamic range, which was way beyond the capabilities of a DSLR. To experiment with different lighting, I shot half of the game with frontal lighting and the second half – with backlighting (image below). As expected, the latter images were generally more interesting. I particularly like the edge lighting effect, which is mostly noticeable along the hairlines of the players. By the way, a side note for image conscious soccer players – the photographic appeal of an action portrait is directly proportional to the length of the hairdo.

Shooting against the sun doesn’t solve the problem of the large dynamic range, it just distributes the light (or rather the shadow) uniformly across the subject. The contrast is reduced dramatically, but can be partially recovered in post-processing. Lack of contrast also makes the focus more difficult to achieve; I missed more shots due to autofocus failure than I expected. Overall, my preference for shooting sports in bright sunlight would still be centre-jour, even just for the aesthetics of the edge light.

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Value of competition

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Mental preparation for a contest or an exam is necessary, but not sufficient, for an overall training regiment in kendo. This concept translates to any kind of learning or skill development.

I wrote earlier about photography contests, but I believe the value of competitions extends beyond receiving external feedback on your performance. It is learning about my subjective reactions to an atypical situation that I find most valuable.

Besides the pragmatic usefulness for learning and character development, there is a tremendous social aspect of competitions in any field. In kendo in particular, the comradery built by doing keiko and shiai with people from different countries, of different ages and walks of life is one of my most precious experiences and perhaps the greatest gift of this Way of the sword.

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