Shooting Raptors

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Last two days, I was shooting basketball games at our university.

Toronto Raptors, the only Canadian NBA team, had a training camp at our university last week. At the end, they had an inter-squad game and I had an opportunity to shoot photos of it.

The NBA training camp was a big event for our university’s athletics department and, arguably, for our entire town. The Raptors media unit had their procedures worked out in minute details, and they conveyed a message that we, as photographers, were privileged to have access to the players. I fully realize that this was, indeed, the case, considering that the tickets for the only publicly-accessible game were sold out in a matter of minutes. I came to the athletic centre an hour before the game, and the was already a line of lucky ticket holders stretching around the building.

The instructions for photographers were exceptionally detailed. They specified everything from the designated area beside the court (a square of approximately 1 m x 1 m marked by a tape on the floor) to how we were supposed to sit in it (cross-legged, with cameras on our bodies or behind us) to the periods during the game when we were allowed to leave the box.

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I believe the hype leading to the event played a large role in creating a positive experience for the spectators and the local media people. The game itself was a bit disappointing, because it obviously lacked the competitive aspect. The pace was quite slow. Despite having almost no breaks, most of the players literally didn’t break a sweat by the end of the game. Of course, this is also due to their impressive physical condition. There were a couple of episodes, when some players showed the speed they were capable of by sprinting across the court. I missed some shots of these moments because I simply could not react fast enough to keep these guys in the frame. Only during these rare bursts of speed could I hear the rapid squeaking of the sneakers on the floor that is so characteristics of basketball matches.

Yesterday’s opening game of our university’s men’s basketball season was a complete opposite in terms of the energy of the players. It was fast and exciting. It was a real completion, which is what basketball is about after all.

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Both the professional and the student games were fun to shoot, though. It was my first time shooting sports with a mirrorless Sony a7R II instead of a Canon EOS-1DX DSLR. I took the Sony with me on sabbatical trip, and I have gotten used to its higher resolution, larger dynamic range and advanced focus tracking features. Of course, the autofocus on the a7R II is not as fast as it is on 1Dx and the faming rate is not as high. On the balance, though, I find that the Sony produced nicer images.

I shot compressed RAW files, which allowed practically the same level of flexibility in post-processing as RAW, but did not fill the buffer during continuous shooting nearly as fast.

Another useful setting that I learned from Armando, my associate, who has been shooting sports with a7R II during entire last season, is the focus area – Lock-on AF: Flexible spot L. Combined with the continuous AF setting, it makes the camera focus on the object in the centre of the frame and then track it as long the shutter button remains half-pressed. It is just a joy to use for sports. An important note is that tracking features like this (and also eye detection, which is fantastic for portraits) work only with native Sony lenses. Using my Canon lenses on a Metabones adapter is a bit frustrating, because it feels like I am missing the best part of the mirrorless experience.

For these two basketball games, I shot mostly with my new Sony FE 24-70mm f/2.8 GM lens, which I used for the first time during my latest trip to Japan.

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Creative patterns

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At the art studio where my daughter goes on weekends, there is an impressive balance between order and messiness. I think that this combination is important for cultivating creativity, while at the same time developing skills that can be realistically applied in real life.

I haveve recently read about it in Steven Johnson’s “Where Good Ideas Come From”. One of his main points is that you need to be organized, but only up to a certain point: “…write everything down, but keep your folders messy;..”

The environment of the art studio is a perfect example of this – you can see that the tools and materials are treated with respect, yet making mess is not only tolerated, but even encouraged to a certain extent. Seeing this all around makes me want to create mess art of my own.

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Splatters!
Splatters!

Too present to learn

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“You can’t think and hit at the same time.”

– Yogi Berra

I wonder, wouldn’t it be super-productive to apply my analytical skills to learning a physical skill? For example, I could use a fundamental studying technique like note-taking for learning kendo or violin-playing.

However, this is obvious and easy only in principle. In reality, I find that practicing a martial art or music requires so much focus and present-moment awareness that I literally remember very little to take notes of after practice. All my energy, both physical and mental, is spent on doing the thing, not on thinking about it. In fact, I am surprised how some people can ask questions during a kendo practice. Not that that find the answers obvious (mostly, quite the opposite) or the behaviour awkward (even though the structure of a typical kendo practice is not conducive to question-and-answer sessions, we are not in Japan after all). I just don’t find that beyond the very basic level, intellectual understanding of a particular technique is helpful for making progress. It feels like practice is needed at the moment, not another explanation.

I recently came upon a similar reflection in a book I’ve been reading, “A Man in Love” by Karl Ove Knausgaard (which is a fantastic book, by the way – I can’t say that I enjoy any particular aspect of it, and the story is not exciting, but somehow I just know it’s a modern masterpiece, and I cannot stop reading it). There, a writer friend of the main character describes his experience of writing about and training with professional boxers: “You know, the boxers I wrote about had an incredible presence. But that meant they weren’t spectators of themselves, so they didn’t remember anything. Not a thing! Share the moment with me here and now. That was their offer.”

Having said all this, I think there is a way of harnessing the power of analysis. In fact, this is how progress usually happens – at the juncture of previously disjointed fields. Just look at Bruce Lee’s notebooks with all the detailed sketches and notes on the physical, psychological and philosophical aspects of his practice. I think the idea is to separate the two activities in time. Practice first, analyze later. To paraphrase Yogi Berra, you cannot think while hitting, but you can think about how you’ve just hit.

In fact, I was probably wrong, when I said that couldn’t remember anything about the last night’s practice. After all, there are established techniques for helping me remember, to improve my ability to remember:

  • Verbalize the learned concep. If I learned only one thing during last practice, what is that? Assigning words to the idea captures it and gives it some substance. Now it can be studied and analyzed.
  • Do this soon after practice (within the first 24 hours). Make a written note of what you learn.
  • Revisit the note before the next lesson, so you can build upon what you’ve learned during the practice.

In the case of violin practice, things are even simpler – my teacher takes notes while I practice and gives them to me after the lesson.

All these suggestions sound incredibly simple and obvious. This is what we teach our students, who study math, physics and engineering.

Obvious – definitely. Simple? I find them easier said than done. But if nothing else, learning this way is a practice itself.

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Coping with change

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I recently heard somewhere that an effective way of avoiding stress of rapidly changing life situations is to regard the change as a normal, and even desirable state. There is an analogy with downhill skiing, which many people enjoy. When you do downhill, your immediate environment changes very rapidly, things come into your field of view quickly, forcing you to constantly adapt. But that is is perfectly normal and expected. In fact, this is what makes skiing fun. So in everyday life, constant change is the norm too, rather than the exception. We just need to learn to ride it (or roll with it, depending on your skill level).

Museum of contemporary art. Kanazawa. Japan.
Museum of contemporary art. Kanazawa. Japan.

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Time running like a cheetah

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It’s been a month since we came back from sabbatical, and our six-years-old daughter said, being in one of her philosophical moods: “In Milan, time was running like a cheetah, chasing away holidays, so that they would pass quickly. Here in Victoria, time goes a bit slower. I like that.”

I am not sure I agree – I hardly noticed the last month with all the logistics of re-establishing the daily routines and the start of the school year, both for us and for our daughter. I did go to Japan during that time, though, and visited the places we called home during our last sabbatical. That was certainly nice, and I guess, a lot has happened in this short last month. Doest it mean that time runs fast or slow? My daughter is probably right after all.

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Violin lessons

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When I was taking photos of famous Italian violins at the Sforza Castle museum in Milan a few months ago, I did not imagine that very soon I would begin my first violin lessons to keep a company for my six-years-old daughter. These are the first formal music lessons of any kind for both of us, I might add!

So here are my first impressions of learning violin.

The initial stage of learning the most basic fundamentals of this highly technical skill, which is completely foreign to me (that is, I cannot draw upon my experience in any other field) is incredibly rewarding. Immediately, after the very few first attempts to extract a clear sound, I have a completely new level of appreciation of classical music that opened to me. If before, when I heard some virtuoso play a violin concerto, I would think: “This must be incredibly difficult.” Now I have a first-hand sense of what specifically is so difficult and how many of these tremendously difficult aspects must align perfectly for the music to appear that fluid. It’s a different world from what I could imagine!

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Also, it was nice to hear my teacher draw an analogy between violin-playing and martial arts in that the essence of practice in both areas is to focus on the form. If the form is executed flawlessly, the result is automatically beautiful.

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Kanazawa seven years later

Kanazawa Castle. Japan.
Kanazawa Castle. Japan.

Kanazawa was our home base for three months during my last sabbatical. Coming there again has some strong sense of deja vu.

Riding a bus to the university and hearing the names of the stops that I thought I had forgotten, walking past the building called “Rifare” near the train station where my wife went for Japanese lessons, wondering around Kenrokuen in the the summer heat and stopping to have green tea with sweets in a teahouse by the pond, sliding in my socks on the wide wooden floor planks of the castle and wondering how many samurai died while climbing those insanely steep stairs – everything seems familiar and nostalgic.

But things has changed a lot in Kanazawa since the last time I was there, and the reason is the new shinkansen line that now makes the city easily accessible to tourists. While seven years ago there were hardly any English signs at the bus stops (many stops had no written signs at all), now there are tourist information points and signage in both Japanese and English everywhere.

Oyama Shrine. Kanazawa. Japan.
Oyama Shrine. Kanazawa. Japan.

Most strikingly, there are many foreigners on the streets, while it seems that seven years ago my wife and I were the only ones. I still remember one time when I turned a corner in the Nomura bukeyashiki district and came face-to-face with a schoolboy of about 10 years of age. When he saw me, he stopped right in his tracks, turned around and ran back to his friends yelling: “Gaijin san! Gaijin san!” Now, it seems, there are as many foreigners as there are Japanese tourists around main attractions like the castle, the Kenrokuen and the Higashi Ochaya district.

Women in traditional clothes in Hagashi Ochaya district in Kanazawa. Japan.
Hagashi Ochaya district in Kanazawa. Japan.

The Higashi Ochaya deserves a special mention. I went there on my last day of this visit, and the place was swarming with tourists. Just like in Higashiyama in Kyoto, people were strolling around in rental kimonos, taking selfies. I remember that during our last trip, my wife and I were enormously happy that by shear luck we were able to capture a photograph of a group of people in yukatas walking along the street. The whole place was largely empty then. This time, there were literally crowds of yukaja-wearing people, and my main photographic challenge was to isolate just one group in the frame.

And of course, the teahouses themselves have multiplied. Where before there were only a couple of cafes serving sweets and tea n the whole district, now I had a choice of at least five or six on a single street. I went to the same place where my wife and I went before. This time, there was a book by the door, where I had to sign in my name and wait in line until it was called. And the menu has expanded too since the last time. I had a hot matcha latte and a “matcha parfe” – a culinary masterpiece made of vanilla and green tea ice-cream, whipped cream and soft sweets made of mochi and red beans.

The shinkansen has definitely opened Kanazawa to the world, and the change has been sweet!

Women in traditional clothes in Hagashi Ochaya district in Kanazawa. Japan.
Hagashi Ochaya district in Kanazawa. Japan.

Travel fatigue

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I always thought it strange that we get tired during air travel. After all, there is no heavy labour involved in it – just sitting in a chair, mostly. Today, I think I figured out what the most exhausting aspect is. It is worrying about missing a connecting flight, losing a passport or forgetting some other small detail. Generally, it is the amount of new information that comes our way during travel, all of it new (for which we don’t have routines refined by everyday practice) and requiring immediate action (e.g. Your gate has changed – go there now!)

Also, there is inevitable frustration when our mental models of how things should go don’t match the reality. On our way back to Canada, for example, it took us more than an hour to pay the extra luggage fee at Moscow’s Domodedovo airport. So even though we came to the airport well in advance, we were in a rush not to miss the flight.

Having said this, I believe a healthy dose of stress every now and then is needed to maintain flexibility and openness of the mind. At least, that’s the only way I can put a positive spin on being tired at the moment.

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Jogging in Maiori

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Two years ago in Genoa, or more precisely in a neighbouring village of Boccadasse, I was surprised by how many people were jogging along the seashore in the middle of the day. It was contrary to my stereotypical expectation of Italian lifestyle of everybody taking long siestas in the afternoon. If I squinted hard and blocked out the views of hilltop villas and “Genova rosso”-coloured houses, I could imagine that I was in California.

Things are completely different in Maiori. Maybe, it has to do with the Southern Italian mentality. Maybe, I am seeing things differently in vacation mode. But during our first two days here, I din’t see a single person jogging on the street. There are also not many model-like bodies in the latest-season swimsuits. The general impression is not of an effortless visual perfection that people in Milan project. Instead, the tourists here (majority of them Italians) seem to be very relaxed about their physical conditioning, healthy eating and fitness.

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Still, I was determined not to drop my running routine, which took me a good portion of the past year to establish. So in the morning two days ago, I woke up early and set to explore the town. I ran East long the Amalfi Drive and in no time found myself outside the town limits. The road was narrow and winding, and I thought that it was good that we didn’t rent a car during this trip. Even at the early hour there was some traffic, and even being on foot, I had to watch out for the oncoming cars and hug the cliffs to let them through. My average pace on that run was quite poor, because I stopped at every corner to snap a photo with my phone – another thing that would have been impossible if I was driving. The “scenic point” parking spots are few, far between and tiny.

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Handling luggage

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We are on a high-speed (Frecciarossa) train from Milan to Naples. It’s the first day of our vacation. The display under the ceiling says that our train is moving at 296 km/h. It feels as if I am sitting still for the first time in the past several days.

Going to and coming from a six-months sabbatical feels less like a vacation trip, but more like moving the entire household. The amount of luggage we are taking with us is overwhelming. In our defense, we have been away from home during three distinct seasons, so just the clothes take up a lot of space. In fact, our five-year-old grew out of a good portion of the wardrobe that we brought with us. We knew this would be the case, so we didn’t even make an attempt to travel light.

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Claudia, who was checking us out of the apartment, asked how we would manage all these bags at the train station.

It went like this:

I called the taxi and asked them to pick us up in a van. We took down the bags in three trips by elevator (again, in our defence, it’s a tiny one). The driver helped us load the bags into the van. At the train station, there were two types of porters, who helped with the luggage. First, an “unofficial” porter loaded the suitcases on a dolly and carried them to the platform level of the building, but he could not go to the actual platform (only passengers with tickets and the station employees can go there). From the ticket checkpoint, one of the official porters (i.e. an employee of the train station) took us to the train. He had a tablet, which showed the platform assignments for the trains a couple of minutes before the announcement was made on the monitors. This was the crucial advantage, which by itself made hiring a porter worthwhile, because getting to the train early gave us some time to figure out how to store the luggage before the rest of the passengers poured in.

We were in the “2nd standard” class coach, where the seat rows are located close to each other. The designated spaces for luggage on the floor between the seats can accommodate the “large” suitecase, but not the “extra-large”. The XL bags, surprisingly, can fit on the overhead shelf, albeit with some effort. The hard shell suitecases, which are very popular these days, are actually more difficult to fit, because they do not deform as easy as the ones made of the soft material.

Now, the train is speeding along, but it feels like we have finally stopped moving. I am ready for vacation.

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