My thoughts on the craft, the process and the subjects
It’s the beginning of a rainy season in the Hokuriku region in Japan. I saw this building, which was almost overtaken by the vegetation, from a bus yesterday and snapped a quick photo with my phone. As much as I like live sketching, yesterday’s heavy downpour could have given the word “watercolour” a new meaning. So I used the snapshot as reference, sketching in the comfort of our temporary home, listening to the sound of rain outside.
The Wizard Nebula (NGC 7380) is considered a challenging photo target, because it is very dim. It’s impossible to see visually, and even photographically it typically requires hours of exposure time to bring out the details. I was lucky to have about 3.5 hours of cloudless skies to take this shot a couple of nights ago. The dual-narrowband (Ha + OIII) filter is tremendously helpful in cutting through light pollution.
NGC 7380 is actually an open cluster of very young stars in the constellation Cepheus that formed about 5 million years ago – practically a moment ago in cosmic terms. The nebula itself (S 142) is a cloud of ionized gas approximately 110 light-years long. It took 7000 years for its light to reach my yard in Victoria, BC.
The North America Nebula (NGC 7000) and the Pelican Nebula (IC 5070) in the Swan (Cygnus) constellation barely fit together in the field of view of my full-frame camera on a 478mm-long telescope. The North America nebula, named because it resembles the shape of the continent, is more than four time the size of the full moon! Its most famous feature, the Cygnus Wall lies where the Mexican West Coast would be on the map.
The Pelican Nebula sits just off the “East Coast” of the North America and is separated from it by the dark cloud of dust.
Despite the large size, these emission nebulae are very faint, so I was glad to have about 3.5 hours last night without clouds or moonlight to collect their light, which travelled for 2,600 years before reaching Victoria, BC.
This globular cluster is located in the torso of the Hercules constellation, about third of the way between Vega and Arcturus. It is close to my heart too, because it was the first Messier object that I saw in a telescope, and it’s beauty attracted me to astrophotography many years ago.
M13 is 145 light-years in diameter and contains over 500,000 stars. It is more than a hundred times more densely packed with stars than the neighbourhood of our Sun. The stars are so close that their collisions occasionally produce new stars.
Fun fact: In 1974, a coded Arecibo message about the human race was transmitted towards M13 to potentially contact extraterrestrial civilizations. Ironically, when the radio waves arrive there, in about 22,000 light-years, the cluster will likely have moved to a different position.
In the meantime, I was able to catch some of its photons flying the other way in my yard in Victoria.
Even though it’s a galaxy-viewing season, I wanted to shoot a nebula for a change. This is my take on the Rosette Nebula (Caldwell 49) – a giant star-forming complex in the Monoceros constellation of our home Milky Way Galaxy. It is 130 light-years in diameter and located 5,200 light-years away from us. In the centre is an open star cluster NGC 2244, the young stars of which create massive shock-heated winds that blow the ionized bubble in the centre and excite the nebula’s gas to emit the red light.
The Rosette sets early this time of the year, so I shot it over three evenings to collect enough photons. The image nearly fills the frame of my camera, so there is plenty of resolution. Zoom in – it’s mesmerizing!
For my second photoshoot after deciding to give a serious effort to come back to astrophotography I chose another famous target – The Leo Triplet. I caught it during a short break in the clouds. The members of this group of galaxies are M65 (right top in the image above), M66 (right bottom) and NGC 3628 (the Hamburger Galaxy, bottom left). They are about 35 million light years away from us.
This shoot was done on a tracking mount, but without guiding, so I used 41 sub-exposures of 25 seconds each (so-called light frames). The relatively short exposure times were needed to avoid the trailing of the stars. My polar alignment was pretty good, though, so the tracking worked well. I used a stock (unmodified) Sony a7r mark IV camera on an 81-mm (478 mm focal length) refractor telescope with the aperture of f/5.6. The ISO was set to 800, following an example I saw online. For calibration, I took 25 dark frames (same exposure length as the light frames, with the lens cap on) and 25 flat frames (2-sec exposures with the same ISO and focus as the light frames, uniformly illuminated by a tracing LED light panel through a couple of T-shirts).
The image below is a wide field, which I cropped in to get the top image.
Generally, I think not much would be possible in this area of amateur astrophotography if people would not share they experiences in online forums and in their blogs. So here is a bit of what I learned in this photoshoot: for shooting the flat calibration frames, while it is common knowledge to select the exposure in such a way that the histogram peak of the resulting images is roughly in the middle or slightly towards the left (dark) side of the light intensity range, it is also crucial to make sure that the shutter speed is long enough to average out the banding caused by the LED light source. Since the ISO is fixed (it needs to match the light frames)
I was quite pleased with this image after stacking the images in the Pixinsight software. I did make a few beginner mistakes, though. The main one is that I decided to go for a second target during the same night instead of collecting more photons of these galaxies. Since then, I have aquired some new tools and techniques, both for the image acquisition and the processing, so I am looking forward to revisiting the Leo Triplet when the skies clear up. Waiting for a cloudless, moonless night is an exercise in forced patience – a benefit of the astrophotography hobby, I suppose.
Instagram: https://www.instagram.com/po_astrophoto
My serious interest in photography started with astrophotography almost twenty-five years ago, in a pre-digital era, with an Olympus OM-1 camera and an 8″ Schmidt-Cassegrain telescope. My wife and I, together with a bunch of friends and fellow graduate students, would bring the telescope to the top of a mountain above our campus and spend cold nights taking turns looking at faint smudges in the eyepiece. The astrophotography was exceedingly difficult, but the observational astronomy was fun in its own right, and it also lead me to terrestrial photography, first as a hobby, and later professionally.
Now I am getting back to astrophotography and discovering that it is an entirely new world, comparing to when I left it. Not that the objects in the sky changed much, but my ability to observe and photograph them has been brought to a different level by the developments in technology.
For my first comeback attempt, I selected M81, a.k.a. Bode’s Galaxy (on the left in the photo above). It’s a neat galaxy to photograph because of its brightness (apparent magnitude of 6.9) and the fact that it has a neighbouring galaxy – M82 (The Cigar Galaxy, on the right in the photo above) that fits nicely in the same field of view of a telescope (mine is an 81 mm refractor with a focal length of 478 mm, coupled with a full frame mirrorless camera). So you get to see two galaxies, one face-on and one from the edge, for the price of one.
I made the image above by stacking forty-two 25-sec exposures taken at ISO 800. The telescope was on an equatorial mount, which provided tracking. No guiding was used in this shoot (hence the relatively short exposures). I actually shot more images on the previous night, when the wether was better, but I messed up the flat calibration frames (note to self: make sure the exposure is longer than 2 sec when shooting flats using a light panel to avoid banding). The photos below are closer crops on M81 and M82.
Bode’s Galaxy is 96 light-years in diameter (about half the size of our Milky Way), and it contains more than 250 billion stars. Its light travelled for about 11.8 million years before I caught it in front of my house.
Building plastic models is one of my favourite things to do. I wrote about it before, but I still sometimes think about why I enjoy it so much. It is probably because modelling is different from my typical work, where I sit at a computer and write papers or analyze data. Also, unlike pretty much any other job, there is no expectation of success. In other words, the process of building a model is autotelic, i.e. its value is in itself and not in the outcome.
On a somewhat related topic, I recently learned that the definition of the word “job” has been changing in the last couple of decades. While previously it universally meant “work done for money”, lately it has been returning to its original meaning of “a task” (e.g., “it’s my job to walk the dog in the morning”). In that sense, I think that even our hobbies could be loosely defined as “jobs”, even if their outcomes ultimately don’t have any monetary value or even a tangible benefit.
We have just came back from the last skiing trip of the season, and coincidentally, I’ve finished sorting through the video footage from our first trip of this year (see below). The 2023-24 season at Mt. Washington started really slowly. During our first visit, just before Christmas of 2023, the was so little snow that we were constantly concerned that the resort would close. Only a couple of trails were open, and it was raining a lot. I didn’t even shoot any video because of the poor visibility. Still, we ended up skiing every day and enjoyed the change of scenery.
During the second trip, which we took right after the New Year, the conditions improved a lot.
Take a look!
Tonight, I had a chance to photograph the full moon from my front yard. The March full moon is known as the Worm Moon, Crow Moon, Sap Moon, etc. I particularly like the poetic names given to it by the North American indigenous people: “the Eagle Moon” of the Cree or “the Windy Moon” of the Cherokee. In many cultures, it marks the day to balance one’s life and to celebrate the beginning of the new year.
Today’s Worm Moon is interesting from the astronomical perspective because at 0:14 local time (PDT) it was passing through the northern part of the Earth’s penumbral shadow, making it a penumbral lunar eclipse. The Moon darkened only slightly, even though 96% of it was in the penumbral shadow.
I took a few shots about two hours before the peak eclipse (capturing some neat clouds in a composite image at the bottom), then again about an hour before the peak (the image below) and at the peak darkening (the image above) with a Sony a1 mirrorless camera and a 70-200 mm lens at 200 mm. The settings were: ISO 100, f10, 1/250 sec.
